Peaky Blinders Movie Outfits: Where to Buy Every Look

The Peaky Blinders movie dropped on Netflix last week and hit 25.3 million views in three days. I wasn't surprised. The fashion in screen dramas always gets people searching, and the outfits in this one might be the best menswear showcase on screen right now.

Peaky Blinders: The Immortal Man moves the timeline forward to the 1940s, which means this isn't the razor-blade-in-the-cap Birmingham of the early seasons. Costume designer Alison McCosh, who dressed the TV series from season 4 through 6 and also designed Cillian Murphy's Small Things Like These, built Tommy's wardrobe around a three-act arc that mirrors his emotional state. In Act 1, Tommy is in exile. The Shelby look is stripped away: heavy woolens, a hood, silk turtlenecks, cardigans. He looks like a man who lost his identity. In Act 2, he returns to Birmingham and gets the suit back. The overcoat. The cap. The silhouette. In Act 3, the war pushes him into something more rugged: leather jackets, turtlenecks, textures that feel lived-in rather than tailored.

McCosh worked with serious craftspeople on this film. Herbert Johnson made the bespoke caps, Ronnie Johnson and Chris Kerr built the suits, and Cosprop handled shoes and shirts. The result is wardrobe that doesn't just look good on screen; it has the weight and construction of real clothes made by people who understand fabric.

The best Peaky Blinders movie outfits

Three looks define Tommy Shelby's return in The Immortal Man: the herringbone tweed three-piece suit that announces his comeback in Act 2, the long double-breasted overcoat that projects authority in every frame, and the streamlined newsboy cap paired with a penny collar shirt. A bespoke Savile Row three-piece starts at £3,000, but FetchFashion found options from $99. Here is why each outfit works so well on screen.

Tommy's three-piece tweed suit. When Tommy walks back into Birmingham in Act 2, the suit is doing half the acting. Herringbone tweed, peak lapels, double-breasted waistcoat. The silhouette is unmistakably Shelby, but McCosh's shoulder work is stronger and more dramatic than anything from the TV series. The palette sits in that territory between charcoal, tobacco, and navy where every piece looks like it belongs together without matching exactly. That's the design move that separates a good suit from a costume: the textures play off each other. The herringbone in the jacket catches light differently than the flat wool of the trousers, and the waistcoat adds a third layer of visual contrast. It reads as one look, but your eye keeps moving.

Tommy's overcoat. This is the power entrance. The long wool, double-breasted overcoat that McCosh designed to project authority in every single frame. She talked about how Tommy "has that beautiful cashmere coat, and he goes into the pigpen... we've always seen him so controlled and perfect." Tommy's cashmere overcoat would cost £1,500+ from a luxury label, but the silhouette is what matters, and you can get that at any price. The coat is what creates that control. It's structured enough to hold its shape when he moves, but the length gives it movement that fills a doorway. The silhouette is the whole point: wide at the shoulders, tapered through the waist, then falling in a clean vertical line. When you see him walk into a room wearing this, you understand the character before he says a word. That's costume design doing exactly what it should do.

The newsboy cap and collarless shirt. McCosh said they "streamlined the cap to make it more piercing, focus on his eyes and cheekbones." You can see the difference from the TV series immediately. The brim sits closer to the face. The crown is lower. The whole shape is more precise. Herbert Johnson caps retail for around £295 each, and the film used dozens across production. Herbert Johnson made these by hand, and the construction quality shows in how the fabric holds its form through every scene. Paired with the penny collar shirts (band collar, no fold-over, sitting close to the neck), the cap creates a frame for Murphy's face that draws your eye exactly where McCosh wants it. The collarless shirt is doing the same job from below: clean lines, no visual clutter, letting the jaw and the cap define the silhouette.

Where to buy Peaky Blinders outfits

I ran all three looks through FetchFashion and here's what came back. FetchFashion is an AI tool that identifies clothes from any photo and finds where to buy them across 1,000+ retailers. You upload a screenshot, the AI analyzes the garments, and it returns matching products with prices and direct links.

The tweed suit returned strong results. You don't need bespoke Savile Row tailoring to capture this look. DressCulture has a herringbone wool tweed three-piece for $99 that nails the silhouette, with peak lapels and a slim fit that reads Shelby without the four-figure price tag. Cicinia came in at $125 with a slightly more structured option. If you want the double-breasted waistcoat detail that really makes the look, Happy Gentleman has a three-piece at $299 that's the closest to what you see on screen. The key is the herringbone pattern and the peak lapels. Those two elements carry the whole Shelby aesthetic.

The overcoat is where the affordable alternatives really shine. A Michael Kors peacoat for $70 gets you the double-breasted structure and the authority silhouette. Macy's returned a wool blend pea coat at $186 with serious weight and drape. Blue Sky Clothing had a boiled wool peacoat at $189 that's the closest to the film's texture. For the Tommy Shelby overcoat effect, length matters. Look for something that hits below mid-thigh and has strong shoulders. That's what creates the presence.

The newsboy cap is the easiest piece to find at every price point. Walmart has a herringbone tweed option for $17 that will get you the shape. Fashionable Hats offers a wool 8-panel cap at $29 with better construction. If you want the real thing, a genuine Harris Tweed newsboy cap on Etsy runs $47 and uses fabric from the same Scottish mills that supply the film industry. The cap is the one piece where spending a bit more makes a visible difference in how the fabric sits on your head.

How to find Peaky Blinders outfits yourself

1. Screenshot the outfit from the film (pause Netflix, save the frame)
2. Upload the image to FetchFashion. It's free, no sign-up needed
3. The AI identifies each garment and searches 1,000+ retailers in your country
4. Compare prices, save to your wishlist, and shop from trusted retailers

It's free for 3 searches per day and works with any photo: films, TV shows, Instagram posts, street style shots. FetchFashion also runs an AI style analysis on your image, suggesting complementary pieces like shoes, belts, and accessories that complete the look. Found something you love? Save it to your personal wishlist and come back later.

Which Peaky Blinders outfit is worth buying

The overcoat. Every time.

A good wool overcoat is the piece that transforms everything underneath it. You can wear it over a white t-shirt and jeans and you'll still look like you meant it. The silhouette does all the work. Tommy's three-piece suit is beautiful on screen, but in real life a full tweed suit is a commitment. You need the right occasion, the right confidence, and honestly the right weather. The overcoat works everywhere. Office, date, winter walk. It carries the same Shelby authority without requiring you to go full period drama.

If you already own a structured coat, the newsboy cap is your next best investment. It's the single most recognizable piece from the franchise, and it works year-round. Pair it with a dark crew-neck sweater and chinos for a subtle Shelby nod that doesn't look like you're heading to a costume party.

For the true fans, Garrison Tailors (Steven Knight's official brand) and Shelby Brothers from the Netherlands both sell high-quality pieces designed directly from the show's aesthetic. Kent & Curwen did a collaboration with David Beckham in 2019 that's still findable on resale platforms. But the beauty of this film's wardrobe is that the core pieces, a structured coat, a flat cap, a textured suit, are available at every price point. You just need to know what to look for.

McCosh's work on The Immortal Man proves something I've believed for a long time: the best costume design isn't about expensive clothes. It's about understanding how silhouette, texture, and colour palette tell a story. That's what separates Tommy Shelby's wardrobe from a guy in a suit. And that's what you can learn from, whether you're spending $17 on a cap or $299 on a three-piece.

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